Jerry Lewis tried to cash in on the Sci Fi craze with his “comedy” with Madeline Kahn. “Slapstick of Another Kind” is the worst movie we’ve reviewed and we’ve reviewed “Hardly Working.” Podcast: DownloadSubscribe: Android | Google Play | RSSI did a full edited special “Proudly Resents” version of my guest appearance on Mike Spiegelman’s Read more about Edited – “Slapstick of Another Kind” (see show notes)[…]
Podcast: DownloadSubscribe: Android | Google Play | RSSMike Spiegelman had me on his podcast “Let’s Watch a Full Length Movie On YouTube” Here’s a recording or it in full! Enjoy! (Please forgive this week’s poor sound quality!) From Mike’s Website: Another kind of slapstick what? I want to help you sit through the movie Slapstick (of Read more about “Slapstick of Another Kind” Full version![…]
Podcast: DownloadSubscribe: Android | Google Play | RSSI went to Horrible Movie Night with a couple of microphones to watch “Prison of the Dead” and get some real time reactions. Comedians Dave Stone, Lisa Best and HMN co-producer Aaron Baker weigh in on this junk fest of a film. Listen to a different format for Read more about “Prison of the Dead” ft Dave Stone & Lisa Best[…]
Alan Sacks co-created “Welcome Back, Kotter.” Alan Sacks gave John Travolta his big break. He produced films for the Disney Channel and the Jonas Brother. Most Recently, Alan Sacks managed the kid rock phenom ” .” But for me, he’s best known for the Ray Sharkey LA Punk Rock art house flick, duBeat-e-o.
On the podcast, Alan Sacks goes into great detail about his experience in the punk scene and what brought him there.
I talked to Alan Sacks and I brought up that I thought he was the manager of the kid heavy metal band, “Unlocking the Truth.” Alan immediately set me straight and let me know that he was let go. Alan’s options are his own. I know nothing of this situation. I invite the parents of the kids or the management to rebut what Alan said. But again, it’s his opinion. Not mine or the show’s.
Before reality shows, there was something even crazier – Daytime Talk Shows. Burt Dubrow is the man behind some of the craziest moments on TV.
Everyone from Cher to “Lesbian Nuns” to “Feuding Sisters,” appeared on Sally Jessy Raphael. It was Burt Dubrow who brought them all to daytime TV. He discovered Sally Jessy Raphael and Jerry Springer. Not only did Burt live through the craziest period of TV, he helped create it.
Burt Dubrow talked to me from his office at his show, “Dr. Drew.” Burt serves as the EP of the HLN show. After our interview, Burt Dubrow took me on a tour of the set. It was originally just a desk and backdrop. Drew occupied one half of the set, while Piers Morgan had the other. When Peers went away, Burt drew on his old school talk days and added an audience that would join in on the conversation.
For even more interviews check out “Proudly Resents: Interviews.”
Graham Elwood (“Comedy Film Nerds”) & Susanna Brisk (“MILF Code”) proudly resent the cult classic, “Miami Connection.” They join me at the Hollywood Improv Lab for a live show for a very few (select) people.
The great Kathleen Wilhoite covers one of the terrible “songs” from “Miami Connection.” She also sings the song that she did in the movie “RoadHouse.” Yes, that “RoadHouse.” Hear Kathleen spill the beans on the onset drinking and drugging on a previous episode with Joel Stein.
Back to this episode… Here’s a trailer for the film and part of the original song that Kathleen covers.
Listen to past live shows…
“A live Tribute to Troma”
With Christian Finnegan (Late Late Show) Mike C. Williams (Blair Witch Project) Asta Paredes & Catherine Corcoran (Return to Nuke’Em High) Robert Prichard (Class of Nuke Em High) and music from Ben Lerman.
With Eric Schaeffer, Frank Conniff (MST3K), Bryan Tucker (SNL head writer) and music from Rob Paravonian.
On a special joint Proudly Resents/Projection Booth crossover, Mike White joins Adam to talk about Room Full of Spoons, a documentary from Rick Harper that chronicles the making and impact of Tommy Wiseau’s magnum opus, The Room. Podcast: DownloadSubscribe: Android | Google Play | RSS Tommy Wiseau made a movie so bad, there’s a 2 Read more about Tommy Wiseau Revealed in “Room Full of Spoons”[…]
The man that brought you “Slacker,” “Clerks,” “Thin Blue Line” and “Go Fish” comes on the podcast to talk about the golden age of indie film – the 80’s. John Pierson talks about negotiating, finding new films, dealing with film makers and more. He tells his story of making a place for himself in the indie film scene in his great book, “Spike, Mike, Slackers and Dykes.” This book is filled with great stories. Instead of having JohnPierson just repeat them, I tried to get him to expand and give a perspective 20 years later.
In the interview I might have slammed Michael Moore for making money on his message and I also might have gotten sucked into an internet scheme. You’ll have to listen to find out!
John Pierson wasn’t here just to indulge us! He’s got a great film festival to promote.
At the Cinefamily Theater on March 4 John Pierson is presenting Spike Lee’s first film “She’ Gotta Have It” and on March 5th he’s presenting “Roger & Me.” On both films Pierson was the “Producer’s Representative.” Find out what that means when you listen to the podcast.
The Cinefamily Theater in Los Angeles on Fairfax Ave, up the street from Cantor’s and down the street from Oakie Dog, is in the middle of the “Underground USA Indie Cinema of the 80’s film festival. There are great films like Repo Man, Blood Simple, Henry Portrait of a Serial Killer, The Evil Dead, Desperately Seeking Susan and more. That’s right, MORE!
John Pierson was born on April 30, 1954 in Baltimore, Maryland, USA. He has been married to Janet Pierson since 1983.
“The Daily Show” co-creator, Madeleine Smithberg talks about her amazing career in TV. From Late Night With David Letterman to life after co-creating and running “The Daily Show.”
Madeleine give a lot of insight to the creative part of TV as well the harsh business practices. Talks about Jon Stewart changing the work atmosphere at “The Daily Show,” how she got David Spade to stop doing fat actress jokes and why Bloomberg TV rejected a very funny Julie Klasner.
She tells amazing stories about starting in live Italian TV, her one try at Reality to harsh and ridiculous network notes, to what she thinks of “The Daily Show’s” new host. Plus insights on her latest project “This Week in Black Twitter.”
Fans of TV and comedy will love her from a true insider.
We talked at her home in Valley with her son in the other room playing video games and her dog protecting us from lawn mowers and people taking out the trash.
In Madeleine’s living are her trophies for her years of work. A Peabody, an Emmy and a wax bust of David Letterman.
Madeleine Smithberg earned Peabody and Emmy Awards, and two other Emmy nominations, for Comedy Central’s The Daily Show with Jon Stewart, which she co-created and ran as executive producer for seven years. During her tenure, she was directly responsible for the hiring/casting of performers such as Jon Stewart, Stephen Colbert, Steve Carell, Ed Helms, and Rob Corddry, Mo Rocca, Lewis Black, among others. She served as producer/show-runner for The Daily Show forerunner, The Jon Stewart Show, on MTV and later in syndication. She also brought her skills as executive producer and writer of The WB comedy/variety show Steve Harvey’s Big Time. She spent six years as a talent coordinator, then producer, for NBC’s original ’t Sleep! Hosted by T.J. Holmes.
If you want more, here’s another interview with Madeleine.
While some out of work actors spend their days in coffee shops or on Playstation, Feikamoh Massaquoi is literally hitting the streets. I see him in front the entrance of the Warner Brothers Studio lot. Many people pass him everyday. Writers, producers, actors, accountants, set designers and most importantly casting agents. While we’ve never heard of an actor picketing for a role.
After looking him up, I decided to say hi and see what his deal was. I didn’t have too much time, I had to punch in at the TV mill. Watch his clips, they are impressive. Which shocks me because he’s standing in front of studios with a sign. Remember Dennis Woodruff? (Look it up. It’s too late at night to be looking him up and linking him. Seriously!)
So why is a good actor standing on the street and not working? He has what most people dream of, an agent and manager. He has a good look and a sense of humor. One thing he doesn’t have is a sense a monologue. You got to have one ready. A producer in my office told me he has a Shakespearean and a regular monologue ready at a drop of a hat.
I guess in LA it’s like having breath mints or an AAA card – you never know when it will come in handy.
If you’re at SONY Studios next week and you see Feikamoh, give him a smile or better yet, a role.