Graham Elwood (“Comedy Film Nerds”) & Susanna Brisk (“MILF Code”) proudly resent the cult classic, “Miami Connection.” They join me at the Hollywood Improv Lab for a live show for a very few (select) people.
The great Kathleen Wilhoite covers one of the terrible “songs” from “Miami Connection.” She also sings the song that she did in the movie “RoadHouse.” Yes, that “RoadHouse.” Hear Kathleen spill the beans on the onset drinking and drugging on a previous episode with Joel Stein.
Back to this episode… Here’s a trailer for the film and part of the original song that Kathleen covers.
Listen to past live shows…
“A live Tribute to Troma”
With Christian Finnegan (Late Late Show) Mike C. Williams (Blair Witch Project) Asta Paredes & Catherine Corcoran (Return to Nuke’Em High) Robert Prichard (Class of Nuke Em High) and music from Ben Lerman.
With Eric Schaeffer, Frank Conniff (MST3K), Bryan Tucker (SNL head writer) and music from Rob Paravonian.
Miami Connection is a 1987 independent martial arts film starring Y.K. Kim, who also wrote and produced the feature. Originally, the film was critically maligned and received poor box office return upon release. It remained unseen for decades until Drafthouse Films restored the film for a proper release in 2012. The film was released on DVD, Blu-ray, limited-edition VHS, and various digital download options on December 11, 2012. Since then, the film has been better received by audiences and has garnered a cult following.
A cocaine deal in Miami is interrupted by a group of motorcycle-riding ninjas led by Yashito, who steal the drugs and rides back to Orlando to party. At a club, the ninjas’ second-in-command, Jeff, sees his sister Jane onstage. She has become romantically involved with John, the bassist of the club’s band, Dragon Sound, which consists of five University of Central Florida students who live together and train Tae Kwon Do. Jeff disapproves of his sister’s relationship with John and confronts him at school, but Mark, the leader of Dragon Sound, stands up to him.
Another band confronts the owner of the club over his hiring of Dragon Sound, but gets beaten up. The band leader brings a large group of rowdy guys to Dragon Sound directly and fights them in the street, but Dragon Sound defeats them. Consequently, the rival band enlists the help of Jeff, who summons Dragon Sound to fight at a train depot, but he and his men are badly defeated by Dragon Sound’s superior Tae Kwon Do. Jeff tries again by kidnapping Tom, the lead singer of Dragon Sound. The remaining band members stage a rescue, wherein they free their singer and accidentally kill Jeff. Yashito is angered by Jeff’s death and sets out for revenge.
Meanwhile, another member of the band, Jim, has revealed that he is searching for his long-lost father. He finally receives word that his father has been relocated, so the band pools their money to buy him a suit and then head to the airport. Along the way, the ninjas surround Mark, Jim and John and chase them into a park, where they do battle. Jim is critically injured, but John and Mark manage to kill all of the ninjas and Mark kills Yashito in single combat. At the hospital, Jim survives his wounds and reconnects with his repentant father.
Y.K. Kim as Mark
Vincent Hirsch as John
William Ergle as Jeff
Siyung Jo as Yashito
Kathie Collier as Jane
Joseph Diamond as Jack
Maurice Smith as Jim
Angelo Janotti as Tom
The film was made in 1987. Richard Park (a.k.a. Park Woo-sang), a film director, saw Y.K. Kim on the Korean talk show Meet at 11 P.M. (11시에 만납시다) in 1985. Kim was promoting a book about taekwondo. Park met Kim and convinced him to make a film. Park had conceptualized the story while watching Kim’s interview. Early plans involved casting Bobby Kim (of no relation to Y.K. Kim) as one of two brothers, with Y.K. Kim playing the other brother. The working title was TaeKwon-Do.
Kim borrowed from friends, took out loans, spent all of his savings, and mortgaged his school to produce the film. He had never made a film before. Erin Sullivan of Orlando Weekly said that Kim “had no idea what he was doing”. Kim said that he hoped to find a distributor so the film would play nationally, but hundreds of distribution companies and studios rejected the film, including all of the major film distributors and several independent film distributors. He later said that “Every distribution company rejected it after screening and said to me, ‘Don’t waste your time. Just throw it away; it is trash.”
After the rejection, Kim continued work on the film by refilming and reworking portions. A small distribution company purchased the film for $100,000. Kim planned to, as stated by Sullivan, “make a movie that draws attention to ‘exciting martial arts action (not computer-generated).’ “
The film opened in August 1988 in eight theaters in Greater Orlando. The film premiered in Greater Orlando and screened in Greater Orlando, Daytona Beach, and Melbourne in Florida. The film also opened in West Germany. Kim said “I was so excited, and I had no doubt that we would pack every theater and it would be a blockbuster.” Instead Miami Connection had a poor critical reception and its run in theaters ended after three weeks. The Orlando Sentinel said that it was the worst film of 1988. The film had a cost of about $1 million and almost bankrupted Kim.
Rob Humanick of Slant Magazine commented that the film should have been featured on an episode of Mystery Science Theater 3000, and that it “would have likely been seen as a prize specimen and [they would have] went for the jugular”.
As time passed, Miami Connection became an underground cult film. Y.K. Kim said that in a period of several years before 2012 several magazines and television talk shows requested interviews about the Miami Connection, and that Kim ignored most of the requests.
In 2009, a programmer at the Alamo Drafthouse Cinema in Austin, Texas, Zack Carlson, found the film on eBay and made a blind $50 bid, which he won. Carlson screened the film in the theater in Austin, Texas and found a positive reception, so he gave the film to the creative director of Drafthouse Films, the distribution division of the Alamo Drafthouse Cinemas. The director, Evan Husney, called Kim, and asked to get permission to re-release the film. Originally Kim believed that his requests were jokes, so he terminated the calls multiple times. Kim said “I was wondering why they wanted to distribute this movie that the public had rejected and Hollywood treated like trash 25 years ago.” Husney and Kim negotiated for several months, and then a deal to re-release the film was established. In the summer of 2010 it was screened as part of the Alamo Drafthouse Weird Wednesdays. Rob Humanick of Slant Magazine said “The response was immense, almost transcendent, leading to encore presentations and ultimately a limited re-release.”
The film received screenings in the New York Asian Film Festival and the Everything Is Festival, receiving a positive reception. Erin Sullivan of the Orlando Weekly said “Drafthouse has helped connect this film to its audience with a series of midnight showings at film festivals and theaters in New York, Miami, Atlanta, Seattle and this week, Orlando.”
During its original release the film was ignored by the public. The Orlando Sentinel called it the worst film of 1988. Roger Hurlburt of the South Florida Sun Sentinel wrote, “for lack of a better synopsis, Miami Connection is a cocaine-war- rock-ninja- motorcycle-gang film, with aspirations of being an action-adventure musical,” and that Y.K. Kim “simply cannot talk”. The title of the review by Jay Boyar of the Orlando Sentinel was “If You Can’t Say Something Nice”.
The reception has been more favorable post-2009. The film’s re-release was met with mostly positive reviews. The film currently has a score 69% which is a ceritified “Fresh” rating on the review-aggregate website Rotten Tomatoes.
Erin Sullivan of the Orlando Weekly wrote that “the movie has been surprisingly well-received since its rerelease – or at least, received for what it is and not held up to unrealistic standards.” Rob Humanick of Slant Magazine gave the film three and one half stars of four stars and wrote that “love it or hate it, it’s doubtful you’ll ever forget it, and it may just force you to redefine your definition of what constitutes ‘good’ cinema.” Rich Juzwiak of Gawker wrote that the film was “So Bad It’s Essential.” David Schmader of The Stranger wrote that “to say that Miami Connection is bad is a crushing understatement. Miami Connection is so bad it makes Tommy Wiseau’s The Room look like Wild Strawberries” and that “but out of this tragic mess of failure and incompetence, a distinctly sweet spirit emerges. Its source is the cumulative gameness and good sportsmanship of everyone involved in Miami Connection, which is drenched in a goofy joy that is contagious.” Jacquie Allen of Tucson Weekly said “Miami Connection is quite possibly the most hilariously terrible film made in the ’80s, which is no small feat…the film has gained a cult following over the years and with good reason: it is one of the best bad movies ever made.”
Miami Connection was featured during an October 2015 Rifftrax live event, where the movie was riffed on by the former stars of Mystery Science Theater 3000. Y.K. Kim, speaking with Paste, appreciated that the Rifftrax event brought the film to movie screens again, even if they would make fun of it, and planned to watch the event himself.